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Polish Your Manuscript

28 Sep

Zoya-Natural-Deux-Nail-Polish-Collection-For-Fall-2014Getting a manicure this morning made me think about polish. Not just what color to apply to my nails, but also how to polish a manuscript. You’ve got your first draft, or second, or third. Is it ready to go out into the world?

Let’s start with the overall look. Do you want a serious or playful look? Modern or traditional? This will affect every other decision you make from the color to the shape to the length. The same is true for writing. You will make different decisions for fiction vs non-fiction, fantasy vs realistic, humorous vs serious. The structure of your manuscript depends on the ultimate form you envision.

Experiment with different colors. Use the color samples. I went in with my own polish but ended up with a different color. It was in the same color family, but richer and more ‘fall’ than ‘summer’. When writing, be sure to deepen or lighten a scene to achieve the overall mood you envision for the story.

Is it you? Look at all the options available. Many are not for you. Why? Too long, too glittery, too boring, too trendy? Remember there’s something for everyone. Some people like short, natural nails. Some like long, pointed, sparkly nails. Some like designs, flashy colors, or holiday styles. Readers look at options too. You need to reach YOUR readers, not EVERY reader. If you stay true to yourself, your readers will know it. They will flock to read your books, visit your websites, meet you in person. So even with a second, or third opinion, stay true to yourself. My technician provided the look I was going for with a simple piece of advice. She knew what I was wanted and she helped me reach MY goal.  A good critique group or partner can do the same thing with a line or scene that isn’t hitting the right notes. It’s still your story, but someone outside of your bubble might help you see it differently.

Don’t worry about the rough draft. You can’t be too precious about it. To start, my technician needed to soak and scrape the old polish off before we could proceed to the next step. Your first written draft should be treated the same way. Once it begins to grow out, you need to get in there and rewrite. Strip away whatever is not working. Like with nail color, you can change it up any time you want. This character not working? Add more dimension. That scene not working? Get rid of it. The mood feels off? Add details.

Trim and shape-up. Polish does not get applied to old scraggly nails. Shape up your writing too. Trim excess words and replace worn-out phrases with fresh ideas.

Senses are key. Color may be the main character in a manicure, but you can’t help but notice the other senses as well. Smell of the chemicals, feel the roughness of the emery board and the smoothness of the hand massage, listen to the chatter of the technicians and their clients, taste your complimentary beverage.  Give your reader the full range of sensory experiences in your story. Pay attention to the full range of senses. A story based solely on one sense will fall flat.

Emotion. Your technician wouldn’t be pleased if you were unhappy with your manicure. She wouldn’t want you to leave in tears. But with writing you might. What emotion do you want to convey? Do you want your readers to laugh, cry, puff out their chests, hang their heads, wring their hands. Do you want them to feel disappointment, fear, confidence? The worst thing would be to have your readers feel nothing. You want your readers invested in the story. If they can put down your book and walk away, you haven’t done your job. Make them feel!

Ambiance matters. Did you have to wait a long time to be seen? Was the staff friendly? Did your technician take his/her time with you? Pay attention to the details and the overall tone of your story. Simple things like language and sentence length can make or break a reading experience. Be sure you match both to your target audience. A long introduction will not work in a picture book, but world building in a high fantasy is much more complex. Know your readers and give them what they need. Give them what they don’t even know they need. Just like you’d reward your technician with a nice tip, your readership will reward you with enthusiasm and loyalty.

Your nails should shine when you leave the salon. Your manuscript should shine as well. Do you love your manicure? Was this is good experience? Do you want to come back? The salon needs return customers. So do authors. You want to leave your readers wanting to come back again and again. Give them heart. Give them passion. Give them quality. Give them a reason to care. Give them a reason to come back.

Time. Everyone knows you never leave the salon with wet nails! This holds true for your manuscript. Sometimes we’re so eager to get out there that we submit before we are ready. This could ruin your writing career. Like nails, your manuscript should never go out until it is completely ready. I know it looks great on the surface, but if it’s not solid through and through, it’s going to meet rejection. This is a slow business. Even with a stellar story, you usually have to wait a long time before you find an agent, an editor, a publisher. No matter how hard it is to sit and wait… sit and wait! (Of course with writing, unlike manicures, you can begin working on your next manuscript while this one is curing.)

Happy Writing!

And Happy Polishing!

 

 

 

 

 

 

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The Creative Life

22 Jun

When thinking about creativity and creative people we often think of artists, musicians, or inventors. But really, when you get right down to it, we are ALL creative beings.  Merriam-Webster defines creative as ‘the ability or power to create’, and create as ‘to bring into existence something new’ and ‘to produce through imaginative skill’. Everyone from the boardroom to the maintenance room has the ability to create something new through imaginative skill at work and at home.

Children do this instinctively. Given an empty box, a child will create a whole new world, a new mode of transportation, a home for imaginary animals, or quiet place for contemplation.

French sculpture, painter, and pioneer of modern art, Henri Matisse defined creative people with these words:

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As writers, illustrators, publishers, and more we are well aware of the power of imagination and the creative souls of individuals. We make it our business to provide, enhance, nurture, model, and shape new ideas.

Today, I’m taking Matisse’s words to heart. Working on a new story idea, I need to be all these things (and more).

What do you need to reach your goals?

 

 

Title Comparison

2 May

What do two bunnies and carrot, four kids and four toys, one toddler, a baby, a dog and his toys,  one greedy ghost, and two brothers and one dinosaur all have in common? Their inability to share. Look at the book covers below. What else do all these stories have in common? The same title.

MINE!

Pictured in descending publication order:

25785748 written and illustrated by Susie Lee Jin (Simon & Schuster, 2016)

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written and illustrated by Sue Heap (Candlewick, 2014)

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written by Shutta Crum & illustrated by Patrice Barton (Alfred A. Knopf, 2011)

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written by Mathilde Stein and illustrated by Miles van Hout (Lemniscaat,2006)

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written and illustrated by Kevin Luthardt (Atheneum, 2001)

But what’s more important is what makes them different.

Let’s take a look at the uniqueness of these seemingly identical picture books. The theme of sharing is evident by the title and artwork on the covers, it’s what’s inside that makes these stories more unlike one another than simply the characters on the covers.

Three out of five of the books are nearly wordless, meaning the illustrations carry the story. Luthardt‘s story comes in at 30 words and Jin‘s story is told in only 19 words. Both Luthardt and Jin are author/illustrators meaning the complete storytelling experience is their own. Everything the reader experiences is a result of their text and art. Which brings us to the only book which has a low word count and is illustrated by someone other than the author. Crum‘s story comes in at only 8 words, even fewer than the two author/illustrators. Several page spreads have no text at all. How is that accomplished? Art Notes! Much of the story is told to the illustrator, Barton, through art notes. Barton then uses those notes to guide but not dictate her work. Not only is this important for writers and artists, but also for parents and caregivers. When ‘reading’ these stories with young children, be sure to leave room for the child’s story and their own interpretation of the story on the page. Ask questions, allow them to discover meaning and thus ‘read’ it for themselves.

The other two books are wordier. Heap‘s story is told in 224 words and Stein‘s story is told in a whopping 508 words. And contrary to popular opinion these are not the two oldest books, which generally have  a higher word count than today’s books. Are non-illustrator authors dependent on more words to tell their stories? No, Heap is an author/illustrator, only Stein is an author only. Her story is illustrated by van Hout whose artwork adds whimsy and humor to the text.

So, what about these stories with the same title makes them unique? They all discuss the theme of sharing but it’s how the theme is revealed that is unique. The low word count stories are targeted to a younger audience. In Crum‘s 8 word story a toddler of unidentified gender tries unsuccessfully to keep his toys away from a younger sibling but ends up losing all his toys to the dog. Jin‘s 19 word story replaces children with bunny rabbits who find one carrot, one top hat, and one very sad snowman. And Luthardt‘s 30 word story is about brothers who receive a stuffed dinosaur in the mail and end up ripping it in half before they learn that they need to share in order to play with their repaired gift.

The two books with the higher word count are geared for a slightly older and more mature audience. Both main characters are of preschool or school age. Heap‘s 224 word story centers around an older friend or sibling who finds it hard to share with three other younger children. It’s not until she sees how sad the baby is not to have one of her toys that she learns to share. This added a layer of empathy is more appropriate for older readers. Stein‘s 508 word story features a greedy ghost who arriving in a new home, insists on claiming everything from the toast to the toys as his own. The older girl protagonist sees only the bright side of his greediness allowing him to have whatever he wants and finding something else for herself. When the ghost sees that she is happy with what she has, but doesn’t want to play with him, he learns to share so they can have fun together. The change in the ghost’s attitude actually turns him into a ghost that the owner of the mansion up the hill doesn’t recognize. This measurable character change is a sign of maturity the older reader is working toward.

Same titles. Same theme. Different stories.

This is truly an example of what your mother always taught you: Don’t judge a book by its cover.

 

Lord of Books

24 Apr

Can you imagine not having access to a library? José Alberto Gutierrez of Columbia can. So he’s doing something about it.

José is know as the Lord of Books in his poor Colombian neighborhood of Bogotá.

He started picking books out of the garbage 20 years ago. On his rounds as a trash collector in the wealthy neighborhoods of Bogotá, José noticed books in good condition being discarded on a daily basis. His first rescue was a copy of Tolstoy’s Anna Karenina. He began bringing home 50 to 60 books a day. Now his home houses upwards of thirty thousand books reaching up to the ceiling!

José learned to read on his mother’s lap. She could only afford to allow him to go to school up to the second grade. The rest of José education came from her. His mother, and later his father, read to him every night, instilling a love for stories in a largely illiterate environment.

Columbia’s capital of over 13 million citizens, has only 19 libraries. Most of them are in the wealthier neighborhoods, leaving the poor neighborhoods without service and the people who need it most, without.

15 years ago, José opened his home library to his friends and neighbors. He calls his library The Strength of Words. His community library is now open every weekend to the citizens of southern Bogota. His neighbors come with bags to collect books to take home with them. Each bag, each book, each word, is strength for a population of people hungry for stories, news, education. As he is fond of saying, “reading is a tool for life”.

Now, José and his brother-in-law drive around town with boxes of books to distribute to the people of Bogotá who cannot come to him. This modern day bookmobile provides access to literature for hundreds of people per trip.

There are many videos on YouTube about José Gutierrez. Here is one of the most recent ones.

 

904b3364f397a7670b02538fe5c794ccv1_max_755x566_b3535db83dc50e27c1bb1392364c95a2“Books are one of humanity’s greatest inventions.” -José Alberto Gutierrez

Spring Training

26 Mar

lucy-psychiatristWas your winter writing as depressing as mine? ACK!

The story accepted by an honest-to-goodness editor in a real publishing house was turned down in the acquisitions meeting.

But I pulled myself together in time for the new year. And what a fun-filled, jam-packed year it’s been so far!

I spent January gathering ideas with Tara Lazar in Storystorm (aka PiBoIdMo). February brought a blizzard of information at the SCBWI Winter Conference in New York. And March has been a whirlwind of reading mentor texts with Carrie Charley Brown in ReFoReMo.

Now, with a fresh arsenal of writing ideas, information, and mentor texts I’m ready to take on a new season.

CharacterSpring Training is upon us and I’m going to be ready for the big game!

 It’s time to get off the bench and stretch those writing muscles. fce54108a076897bcd7844d5c2ad99ab

Write.

Write.

Write.

I’m working on honing my craft, developing those mad writing skills…

until I hit one out of the ballpark!  bfb5b5cf1817b81725091347991476b8

And when I finally get that call…

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all that training and practice and diligence will have paid off! your-a-good-man-charlie-brown-baseball-game-youtube-o3Vo6x-clipart

 

Special thanks to Charles M. Schulz, creator of the Peanuts characters, for his wisdom, creativity, inspiration, and many years of humor.

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2016 Christmas Picture Books

17 Dec

I spent a magical morning reading more than a dozen new Christmas picture books. Three were religious in nature the rest secular, and one was a Christmas/Hanukkah combo story.  All were published this year.

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Although this is not a comprehensive list of the new Christmas titles, these are the ones I was able to get from my local library. In this collection, I found a few new favorites. They are listed alphabetically by the author’s last name.

*****

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A Night of Great Joy

written and illustrated by Mary Englebreit

Zonderkidz, 2016

Sweet rendition of the biblical Christmas story. The children set the stage and put on the play of the first Christmas. Cute pictures showing how young children might put on a simple production of the Christmas story.

*****

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The Day Santa Stopped Believing in Harold

written by Mareen Fergus and illustrated by Cale Atkinson

Tundra Books, 2016

Love this new twist on the old ‘I don’t believe in Santa anymore’ syndrome. This time it’s Santa who doesn’t believe… in Harold. He’s discovered that it’s Harold’s mom who writes the letters and Harold’s dad who puts out the milk and cookies. And at Harold’s house, Harold has a few doubts of his own. On Christmas Eve, they both decide to wait up and see if the other is really real. Funny. Sweet. And definitely believable!

*****

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Santa’s Underwear

written by Marty Rhodes Figley and illustrated by Marty Kelley

Sleeping Bear Press, 2016

Is there anything funnier than underwear? Santa can’t find his special Christmas long johns. He can’t get dressed until he does. Kids will love watching Santa try on all his other pair of underwear. But none of them will do. Finally, Santa finds a special gift from the reindeer… a new pair of long johns as bright as Rudloph’s nose!

*****

28686978The Christmas Fox

written and illustrated by Anik McGary

Knopf Books for Young Readers, 2016

Lovely story and artwork. All the other animals invite Little Fox to go meet the new baby but Little Fox is too busy playing in the snow. The other animals have gifts to bring the baby and Little Fox doesn’t believe he has a gift. But when he decides to go he brings the his joy and the baby smiles!

*****

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The Biggest Smallest Christmas Present

written and illustrated by Harriet Muncaster

G.P. Putnam’s Sons Books for Young Readers, 2016

Tiny story that packs a big punch! Clementine is small, very small. She doesn’t think Santa knows how tiny she is because he brings her gifts that are too big. So she sets about to let him know her actual size. Then one year he brings her the biggest gift of all… a giant dollhouse… just perfect for Clementine!

*****

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Maple & Willow’s Christmas Tree

written and illustrated by Lori Nichols

Nancy Paulsen Books, 2016

Sisters Maple and Willow spend the day choosing just the right Christmas tree. It’s the best tree in the world, but Maple is allergic. The tree ends up outside and both girls are disappointed. Then in the middle of the night, Willow gets a great idea. She gets up and decorates a most unusual ‘tree’ in their living room.

*****

1762447The Christmas Boot

written by Lisa Wheeler and illustrated by Michael Glean Monroe

Mitten Press, 2016

Beautiful book! Artwork and story work together to tell a wonderful tale of Christmas magic. A lonely old woman finds a single boot in the snow. The one boot becomes two and soon she has everything she needs and more, until the owner of the boot returns. He takes his boot but gives her exactly what she needs.

*****

Run out to your bookstore or library and find a few new favorites of your own.

Merry Christmas and Happy Reading!

 

 

 

Western Pennsylvania SCBWI Conference, 2016

27 Nov

 

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This cute little reading robot was host to a couple hundred SCBWI members from Pennsylvania, and three from Ohio. Two of my critique partners and I drove almost five hours to be a part of this conference in Pittsburg on the second weekend of November. It was a beautiful weekend, crisp, sunny, and full of hope.

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The faculty for the weekend included Heather Alexander (former agent from Pippin Properties and now freelance editor), Mary Colgan (senior editor at Boyds Mills Press), Brett Duquette (senior editor at Sterling Publishing), Karen Grenick (founding agent at Red Fox Literary), Jasmin Rubero (editor at Dial, Random House), Jennifer Soloway (agent at Andrea Brown Literary Agency), Jennifer Ung (editor at Simon Pulse), and Rebecca Weston (former editor at Delecort Press and now freelance editor).

As always, SCBWI conferences are chock full of information and opportunities to meet new people. With eight faculty members and only four workshop sessions, I had to choose my sessions strategically. This weekend I chose to learn more about queries, leaving room for the illustrations, reasons for rejections, and acquisitions. But the best thing I did, was submit a story for a critique. Not only, did I receive a thorough and thoughtful critique, I also received an encouraging invitation to submit.

And surprise, surprise… I was chosen as one of the six most promising authors in attendance! Each agent and editor who critiqued work chose one person to receive this honor. It is indeed both humbling and exhilarating !

As a critique group we are quite pleased with our efforts. At the end of the day, we each had something to celebrate!

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Franklin IN Conference: Tricks and Treats of the Trade

14 Nov

October brought gorgeous leaf color on a beautiful college campus. The Franklin Writing Conference was a one day intimate gathering for authors and illustrators. About fifty SCBWI participants joined a four panel faculty for a day of learning and camaraderie.

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Pictured from left to right. Jennifer Zivoin, illustrator of multiple picture books and early readers including Big Red and the Little Bitty Wolf (Jeanie Franz Randsom); Andrea Hall, editor at Albert Whitman; Shannon Baunach Anderson, author of several children’s books including Penelope Perfect and Coasting Casey;  Tina Purcell Schwartz, founding agent of The Purcell Agency.

First of all, I was super excited to meet my agent Tina Schwartz in person! Although we have communicated through email, text messages, and Face Time, it was great to have dinner with her and chat informally.

Secondly, I made a connection with Andrea Hall who is reviewing one of my stories for publication. Fingers crossed!

Thirdly, I met up with Facebook connections Kathryn Powers and Teresa Robeson. Both lovely ladies and talented illustrators.

And last, but not least, I spent quality time with one of my critique partners, Emmie Warner. We carpooled, shared a room, and supported each other through our second conference together. Thanks Emmie!

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My Top 10 Tricks and Treats of the Trade:

(in no particular order)

Be prepared to meet agents and editors with your best work. Have it polished and shined to a sparkle. And lead with your strongest work.

Research submission guidelines and follow then to the letter. Do not make the mistake of losing your masterpiece in the rejection box because you failed to follow directions.

Do your own market research before submitting. Know where your work fits on the shelf. What are some similar titles? How does yours stand out?

Take revisions seriously. If your agent or editor asks for revisions, consider what isn’t working and how to improve it. Don’t rush your revisions, it’s not intended to be a quick fix.

Use market guides such as The Book Markets for Children’s Writers, Writer’s Market Guide, and Children’s Writers and Illustrators to find agents and editors who are the best fit for your work.

Don’t take rejections personally. There are many reasons why an agent or editor may pass on your work which may be more due to their own needs and wants rather than your talent.

Your characters need to visually carry your story (picture books). Let your characters distinguish themselves.

Focus on creating visual movement between scenes.

Work with peers to polish your work. Be open to constructive criticism. It’s easier to swallow a ‘no, that doesn’t work’ from your writing partners than it is to get a ‘no, that doesn’t work’ from an agent or editor.

If something isn’t working, keep trying.    Revise.    Resubmit.   Repeat.

Hispanic Heritage Month

4 Oct

Thirty days between September 15th and October 15 are dedicated as National Hispanic Heritage Month in the United States and are observed in North and South America. It was first established as a one week period by President Lyndon Johnson and later expanded to a one month period by President Ronald Reagan.

Follow this link to a Calendar of Events for 2016.

“September 15 to October 15 is National Hispanic Heritage Month
The Library of Congress, National Archives and Records Administration, National Endowment for the Humanities, National Gallery of Art, National Park Service, Smithsonian Institution and United States Holocaust Memorial Museum join in paying tribute to the generations of Hispanic Americans who have positively influenced and enriched our nation and society.”

The celebrations began with a recital played on a spanish guitar commemorating the 400th anniversary of the death of spanish author Miguel de Cervantes, Don Quixote.

So I thought it was only fitting that I share some of my favorite recently published picture books celebrating hispanic heritage. Pick up a few to share with your favorite niños.

 

MARTA BIG AND SMALL (Roaring Brook Press, 2016) Jen Arena and Angela Dominguez seamlessly name animals and their characteristics in both english and spanish as Marta compares herself to the jungle animals.

OLINGUITO, DE LA A A LA Z, FROM A TO Z! (Children’s Book Press, 2016) Lulu Delacre speaks first in spanish then in english as she takes the reader in search of the newest mammal discovered in the Andes rainforest, the olinguito.

FLUTTER AND HUM (Henry Holt and Company, 2015) Julie Paschkis delights us with her art and poetry. Enjoy this collection of animal poems in both english and spanish.

MANGO, ABUELA, AND ME (Candlewick, 2015) Meg Medina and Angela Dominguez tell a lovely story about the relationship between Mia and her abuela who learn to speak each other’s language.

MAYA’S BLANKET  (Children’s Book Press, 2015) Monica Brown and David Diaz wrap you up in the magical blanket Maya’s abuelita made for her when she was a baby. As she grows the blanket frays and becomes different articles of clothing until the last remaining piece is the story.

 

 

 

 

 

Simmering Stories

20 Sep

One of the best pieces of writing advice I’ve heard is, “Leave your writing in a drawer for at least a month and come back to it with fresh eyes.” I call this, simmering. Just like sauce, soup, or stew, simmering stories adds flavor, richness, and tenderness to the finished product. And like in cooking, you cannot simmer a story by watching over it constantly. Sure you need to check it now and then. Give it a stir. Taste it. Add more seasoning. Turn down the heat. But ultimately, you need to cover it and walk away.

8-cooked-lentils

 

Recently, I was given the opportunity to let a story simmer. I actually received a lovely rejection note from an agent I had submitted to THREE YEARS ago! Having that manuscript land back in my inbox was like finding a forgotten recipe. I read it over and laughed at my naiveté. I saved the story and rejection letter in a file and I walked away from it. But the story didn’t leave me. It began to simmer and bubble in the back burner of my brain. I opened the file and reread it several days later. I thought about what changes could be made to save it, make it more palatable. I took my fresh ideas to my critique group. I outlined and storyboarded. I wrote a new draft using the heart of the original story and deleting the unnecessary ingredients. I’ve got two weeks before my next critique meeting. Time enough to let this draft sit. Time enough to allow myself fresh eyes when I open it up again. It won’t be long before I take off the lid, sample another taste, and decide what spices need to be added.

Simmering uses all five senses. I encourage you to do the same in your writing. Evoke the sense of smell and taste as well as sight and sound in your readers. The way to a man’s heart may be through his stomach, but the way to a reader’s heart is through your words. Touch your readers in their hearts.

Writing, like cooking, takes practice. You have to write a lot to get good at it. Try different styles, points of view, genres. Find what you like. Just like chefs, agents and editors have different tastes. Some like it hot; others mild. Some like complex spice pallets; others like simple flavors. So my best advice to you, is to make it the way YOU like it. Then find someone who likes it the same way you do and share it with them.

Bon appétit, or as my mother always says, “Buen provecho!”

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Back to School

26 Jul

It’s almost back to school time here in my little piece of the midwest. It’s a time simultaneously dreaded and celebrated by teachers, students, and parents. The end of July marks the start of back-to-school sales, the last days of summer vacation, and the final hours of personal freedom. Although I’ve been retired for three short years now, my teacher’s soul still aches for the beginning of a new school year.

For me, July is a time when I really start to value the gift that is summer vacation. The minutes of extra sleep in the morning, the carefree hours of dilly-dally, the days and weeks of unfettered sojourn. One of the most precious gifts of summer vacation has always been the endless supply of library books and hours upon hours of relaxed reading enjoyment. I never understood people who didn’t love reading. As an educator, I studied this alien phenomena. Why did so many children hate reading? Why did they avoid reading? Why did they find it so laborious?  Kids are not born hating reading. As a matter of fact, I’ve never met a kid who didn’t enjoy sitting on someone’s lap and listening to a story. Even as they got older, toddlers and preschoolers still enjoy hearing a story from the criss-cross position on the floor, so it’s not just the human touch of the lap which makes reading enjoyable. Actually most kids don’t start disliking reading until school-age. Which begs the reason so many kids dread the beginning of another school year. Do they equate school with achievement in reading, writing, math, or failure, embarrassment, and boredom? I made reading success my mission. What could I do to foster a love of reading in every child I met? How could I make reading an enjoyable activity? How could I turn reluctant readers into successful readers?

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So, contrary to popular beliefs, I and countless other teachers across America spent July and August preparing for the next school year. Before the first #2 pencils hit the sales rack, I attended classes and workshops dedicated to helping me be a better teacher. Prior to the last days of vacation, I spent days researching new titles and finding just the right books for my students. In lieu of the last hours of personal freedom, I scoured thrift shops and discount stores for things to make our reading time special. Because for me, nothing was more important than helping students find their own joy and self-worth in a book. And although I won’t be joining you in another adventure this school year, I will always value and respect the passion and dedication of teachers everywhere.

Tradition holds the back to school time as a season in and of itself. The end of July marks the beginning of a clean slate for a new year, the hopefulness of new or renewed friendships, the promise of fresh ideas and discoveries, and the anticipation of a precious gift. Wishing all my young and young-at-heart friends the gift of a wonderful school year!

 

 

 

 

 

 

One Month Check-Up

5 Jun

Wow! I can’t believe it’s been a month since I wrote my last blog post. Having an agent has not simplified my life like I thought it might. I no longer stalk the internet in search of agents looking for stories I might have written. But I do have lots of contact with my wonderful agent. She has sent my story to nine publishing houses and keeps me updated on the feedback as she receives it. Yes, I said feedback. One thing I’ve learned about subbing with an agent, is that the editors actually give feedback when they reject your work. So far I’ve gotten four declines from the nine submissions, that’s 44% rejections. In more positive terms that’s 56% chance of still having my first story published, so that’s something to bounce about!

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And, what have I been doing besides collecting rejection letters? Reading… a lot! Writing… some. Revising…a tad. Other things keeping me busy…meeting with critique partners, keeping up with my Facebook contacts, studying picture books, interviewing authors, reviewing books for friends, reading articles, chasing my muse and living life!

What I haven’t been doing… blogging (obviously), sitting around waiting, or wondering what to do next. My to do list is growing longer than a summer day. I have so many unfinished revisions to work on, so many undrafted ideas, and so many partial WIPs I think I’m going to need a few more rotations of the earth to catch up.

Until next time, happy writing, friends!

 

How I Got My Agent

5 May

 

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I am so thrilled to finally have this story to tell! It’s the one every writer yearns to tell. It’s the one that’s unique to every writer.

This one is mine.

After three years of writing and submitting to agents, I finally broke through the barrier. You know, the one between being someone who writes and being a writer with an agent.

I did a lot of the usual things aspiring authors do. I joined SCBWI. I continue to go to monthly meetings. I have attended several state and regional conferences and workshops.  I took online classes and webinars. I started three different critique groups specifically for picture book writers, two of which are still active. I joined several online writing groups. I became an administrator in one of those groups, the Debut Picture Book Study Group. I am active on several social media sites.  I purchased and devoured how-to books. And I got to know my local librarians and bookstore owners on a personal basis. I read, read, read picture books.

In short, I did everything I could to learn the craft.

And of course, I did my best to write good stories and submit to agents who were taking on new clients in my genre.

But I also did my best to make connections in the writing community. It was one of these fortunate connections which ultimately led to signing with my agent, Tina Schwartz of The Purcell Agency. I met Tina during a webinar on Writing Queries. We hit it off right away and I began working as her Literary Assistant. Tina was interested in my work. The first story I subbed to her was rejected, but the second pitch was a hit! She called me on Wednesday morning and made a verbal offer of representation. We spoke for a long time and she emailed a standard contract. Luckily for me, my son is an attorney so I emailed the contract to him for a quick look-see and an explanation of some terms of ‘legalese’.

The very next day I was on my way to Chicago for a writing conference. I was so crazy over the moon I could barely stay in my lane! My friend and critique partner (and passenger) was almost as excited as I was. And being the sweetheart that she is, she reread every single workshop and discussion offered as I drove  pondering which alternate sessions to attend in light of my new circumstances. We memorized the names of agents/agencies and editors/publishing houses we wanted to meet that weekend. I’m so happy we had decided to take the shoulder days on the conference. This extra evening gave me the opportunity to better prepare myself without feeling rushed the morning of the conference with new concerns in addition to a 5 hour drive. Then we focused on having fun and learning as much as we could. It was actually a nice reprieve from the constant preoccupation of possible representation. If my brain wasn’t overstimulated before the conference, it certainly was afterwards.

In the meantime, my son had redlined the contract with a few suggestions and I made a list of questions, questions, and more questions I wanted to ask Tina. (Remember those shoulder days? We stayed Sunday evening, had dinner with new friends and didn’t head home until Monday morning.) Monday, I relaxed, reviewed notes, discussed it with my son and husband and I called her on Tuesday morning with my inquires. We spoke for almost an hour, something I appreciate in an agent. She was very patient with me and answered all my questions and concerns. We negotiated the terms of the contract, and Tina re-mailed it on the spot. I printed it out. Signed. Returned a scanned copy. And celebrated!

Now, Wednesday again. One week after the initial phone call, Tina emailed me again. She has sent my manuscript to five publishing houses, houses I would not have been able to get into without an agent.

Unreal! I’m still pinching myself!

 

 

 

 

 

Would You Rather?

20 Apr

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I bet you know the game. Choose one of the questions below and answer in the comment box.

  1. Would you rather… have only your favorite book to read for the rest of your life or have only literary crap to read forever?
  2. Would you rather… win a Caldecott, Newbery, Pulitzer, (or another award of your choice) or be able to eat an unlimited amount of chocolate without gaining weight?
  3. Would you rather… be forced to write your next book on your phone or win the lottery?
  4. Would you rather… become a national best selling author or touch the life of only one child?
  5. Would you rather… be a beloved author or live in a world of peace?

 

April Fool’s Day

1 Apr

April-Fools-Day

I made a comment on a friend’s Facebook post pretty much implying that she and her writing partners stop making hard work look so easy, it’s not! And anyone who thinks it is, is a fool.

It’s true. These lovely ladies lead our monthly SCBWI meetings with the grace and intelligence that only experience can achieve. It may look like what they do is easy. But like one of my supervisors used to say many years ago, “I’m working like a duck… smooth on the surface; paddling like crazy to stay afloat!”

These authors are mentors to the many others who are working to succeed. They are dedicated to research, writing, editing, and sharing. Their many books inform and entertain. So I’m taking the opportunity this April Fool’s Day, to salute them. Thank you (left to right) Mary Kay Carson, Kerri Logan Hollihan, and Brandon Marie Miller at  Hands on Books. 12901048_1754140581483945_8981486111798615873_o

Thank you also to our president Andrea Pelleschi, and to the many other SCBWI members who lift us up every month with their encouragement and support.

 

To my mentors and role models… Happy April Fool’s Day!

A few words to the wise…

 

 

 

 

 

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