Tag Archives: picture books

Energy Enthusiasm Excitement

2 Dec

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Energy. Enthusiasm. Excitement. These three words perfectly describe Sherri Duskey Rinker, author of the Goodnight, Goodnight, Construction Site series and several other books for young people.

Sherri must have been exhausted, she had already had two school visits that day. Yet here she came, eager to meet more fans.

Hosted by The Blue Manatee Bookstore she was here to talk to her audience… a loud rambunctious crowd to say the least. And talk she did. To them. On their level. Matching their energy, enthusiasm, and excitement note for note.

 

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Sherri asked them questions, responded to their questions (and sometimes off-topic comments), and told them stories about herself. And of course she read her newest book, Construction Site on Christmas Night.

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Every eye was focused on the book. Every ear was tuned into the story.  She totally had these kids… mind, body, and spirit. I was in awe of her.

On the way to dinner, I asked my granddaughters what they liked the best. The six year old liked Sherri’s story about her sons. She even compared them to herself and her sister, saying that she goes right to sleep after her stories but that her sister does not. And she liked that the author wrote all their names in the book. The three year old said she wanted chicken nuggets and fries, but not the orange fries her mommy gave her the other day… those were yucky. Yep, even my own prodigy can be off-topic at times!

Thanks for coming to Cincinnati, Sherri! So glad I got to meet you in real life! me and sherry

 

Off topic post script: Orange fries are NOT yucky. Mommy is right, they’re better for you than regular french fries.

 

 

A Moment in Time

12 Apr

35631584Today’s moment was when David Wiesner, three time Caldecott Award winner, spoke to a group of fans. He shared his perspective on writing and illustrating. And, he took us through the process of writing his newest picture book, I GOT IT!  Like many stories, I GOT IT! focuses on one moment in time which is stretched out across 32 pages. Pulled from his boyhood memories of playing baseball in the neighbor’s back yard, David illustrated the actual and imagined circumstances surrounding the moment when the smallest outfielder is confronted with a fly ball.

138069Of course I picked up my own copy of I GOT IT! as well as a new copy of THE THREE PIGS. Along with most of my picture books, this one was left to a new teacher when I retired. But how many times do I have the opportunity to own a signed Caldecott Award winning picture book? Answer: Four to date.

 

(Another thing I learned is that a Caldecott Award winning autograph does not have to be legible, It’s a good thing the artwork is so fierce.)

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Among the many fans in attendance were three legendary Cincinnati illustrators, who agreed to stand for a photo. From left to right: Loren Long, David Wiesner, Will Hillenbrand, and C.F. Payne.

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Thanks to Joseph-Beth Booksellers for bringing another amazing author and illustrator to Cincinnati.  Look up some of David’s other picture books in your local bookstore.

 

 

Oh yeah, and that moment when I got my picture taken with David Wiesner!IMG_1261

 

When Your Llama Needs a Haircut

27 Jan

 

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When Your Llama Needs A Haircut

Written by Susanna Leonard  Hill

Illustrated by Daniel Wiseman

Published January, 2018 by Little Simon Books

Upcoming school pictures + reluctant llama = hilarious hairy situations.

Goodreads Review 

 

Remember that time your mom cut your hair? Yeah, me too… and then the time I gave myself a home perm, YIKES! But this delightful picture book will help you see the humor in hair disasters.

Realistically, does a llama need a haircut? Well I did a little google search and guess what I found… some pretty awful llama hairstyles.

 

 

So if you’ve got a llama in need of a haircut, please research all the possibilities before venturing into the barbering trade. And definitely don’t demonstrate on yourself first, especially not the night before school picture day!

 

 

Title Comparison

2 May

What do two bunnies and carrot, four kids and four toys, one toddler, a baby, a dog and his toys,  one greedy ghost, and two brothers and one dinosaur all have in common? Their inability to share. Look at the book covers below. What else do all these stories have in common? The same title.

MINE!

Pictured in descending publication order:

25785748 written and illustrated by Susie Lee Jin (Simon & Schuster, 2016)

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written and illustrated by Sue Heap (Candlewick, 2014)

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written by Shutta Crum & illustrated by Patrice Barton (Alfred A. Knopf, 2011)

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written by Mathilde Stein and illustrated by Miles van Hout (Lemniscaat,2006)

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written and illustrated by Kevin Luthardt (Atheneum, 2001)

But what’s more important is what makes them different.

Let’s take a look at the uniqueness of these seemingly identical picture books. The theme of sharing is evident by the title and artwork on the covers, it’s what’s inside that makes these stories more unlike one another than simply the characters on the covers.

Three out of five of the books are nearly wordless, meaning the illustrations carry the story. Luthardt‘s story comes in at 30 words and Jin‘s story is told in only 19 words. Both Luthardt and Jin are author/illustrators meaning the complete storytelling experience is their own. Everything the reader experiences is a result of their text and art. Which brings us to the only book which has a low word count and is illustrated by someone other than the author. Crum‘s story comes in at only 8 words, even fewer than the two author/illustrators. Several page spreads have no text at all. How is that accomplished? Art Notes! Much of the story is told to the illustrator, Barton, through art notes. Barton then uses those notes to guide but not dictate her work. Not only is this important for writers and artists, but also for parents and caregivers. When ‘reading’ these stories with young children, be sure to leave room for the child’s story and their own interpretation of the story on the page. Ask questions, allow them to discover meaning and thus ‘read’ it for themselves.

The other two books are wordier. Heap‘s story is told in 224 words and Stein‘s story is told in a whopping 508 words. And contrary to popular opinion these are not the two oldest books, which generally have  a higher word count than today’s books. Are non-illustrator authors dependent on more words to tell their stories? No, Heap is an author/illustrator, only Stein is an author only. Her story is illustrated by van Hout whose artwork adds whimsy and humor to the text.

So, what about these stories with the same title makes them unique? They all discuss the theme of sharing but it’s how the theme is revealed that is unique. The low word count stories are targeted to a younger audience. In Crum‘s 8 word story a toddler of unidentified gender tries unsuccessfully to keep his toys away from a younger sibling but ends up losing all his toys to the dog. Jin‘s 19 word story replaces children with bunny rabbits who find one carrot, one top hat, and one very sad snowman. And Luthardt‘s 30 word story is about brothers who receive a stuffed dinosaur in the mail and end up ripping it in half before they learn that they need to share in order to play with their repaired gift.

The two books with the higher word count are geared for a slightly older and more mature audience. Both main characters are of preschool or school age. Heap‘s 224 word story centers around an older friend or sibling who finds it hard to share with three other younger children. It’s not until she sees how sad the baby is not to have one of her toys that she learns to share. This added a layer of empathy is more appropriate for older readers. Stein‘s 508 word story features a greedy ghost who arriving in a new home, insists on claiming everything from the toast to the toys as his own. The older girl protagonist sees only the bright side of his greediness allowing him to have whatever he wants and finding something else for herself. When the ghost sees that she is happy with what she has, but doesn’t want to play with him, he learns to share so they can have fun together. The change in the ghost’s attitude actually turns him into a ghost that the owner of the mansion up the hill doesn’t recognize. This measurable character change is a sign of maturity the older reader is working toward.

Same titles. Same theme. Different stories.

This is truly an example of what your mother always taught you: Don’t judge a book by its cover.

 

Open Worlds, Open Minds

2 Feb

A picture book is a magical thing. It can entertain, educate, and persuade. It can make you to think, feel, and imagine.

Every year the writing community gets together and chooses the best of the best. These are the ones which are adorned with shiny stickers. These are the coveted titles. This year is no exception. Let’s take a look at the Caldecott winners of 2017.

Randolph Caldecott Medal Winner

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Radiant Child: The Story of Young Artist Jean-Michel Basquiat

Written and illustrated by Javaka Steptoe (son of John Steptoe, author of 1988’s Caldecott Honor winning Mufaro’s Beautiful Daughters).

Little Brown Books for Young Readers

Art and story work together to inspire and delight readers.

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Caldecott Honor Books

27414464Leave Me Alone!

Written and illustrated by Vera Brosgol

Roaring Brook Press

Pure entertainment. Family relationships, wild animals, and space travel are knit into a rollicking story.

28250952Du Iz Tak?

Written and illustrated by Carson Ellis

Candlewick Press

A story of homes and relationships all told in a strange inventive language. Here, the artwork does the heavy lifting. Discovery and imagination blend with a healthy dose of nonsense.

28101612They All Saw A Cat

Written and illustrated by Brendan Wenzel

Chronicle Books

Questions what you see and what you think you see. It’s all about perception and understanding truth from individual viewpoints.

25785628Freedom in Congo Square

Written by Carole Boston Weatherford and R. Gregory Christie

Illustrated by Freddie Williams Evans

Little Bee Books

Historically accurate account of slave and free blacks in New Orleans told in lyrical language depicting the soul of humanity.

2016 Christmas Picture Books

17 Dec

I spent a magical morning reading more than a dozen new Christmas picture books. Three were religious in nature the rest secular, and one was a Christmas/Hanukkah combo story.  All were published this year.

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Although this is not a comprehensive list of the new Christmas titles, these are the ones I was able to get from my local library. In this collection, I found a few new favorites. They are listed alphabetically by the author’s last name.

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A Night of Great Joy

written and illustrated by Mary Englebreit

Zonderkidz, 2016

Sweet rendition of the biblical Christmas story. The children set the stage and put on the play of the first Christmas. Cute pictures showing how young children might put on a simple production of the Christmas story.

*****

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The Day Santa Stopped Believing in Harold

written by Mareen Fergus and illustrated by Cale Atkinson

Tundra Books, 2016

Love this new twist on the old ‘I don’t believe in Santa anymore’ syndrome. This time it’s Santa who doesn’t believe… in Harold. He’s discovered that it’s Harold’s mom who writes the letters and Harold’s dad who puts out the milk and cookies. And at Harold’s house, Harold has a few doubts of his own. On Christmas Eve, they both decide to wait up and see if the other is really real. Funny. Sweet. And definitely believable!

*****

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Santa’s Underwear

written by Marty Rhodes Figley and illustrated by Marty Kelley

Sleeping Bear Press, 2016

Is there anything funnier than underwear? Santa can’t find his special Christmas long johns. He can’t get dressed until he does. Kids will love watching Santa try on all his other pair of underwear. But none of them will do. Finally, Santa finds a special gift from the reindeer… a new pair of long johns as bright as Rudloph’s nose!

*****

28686978The Christmas Fox

written and illustrated by Anik McGary

Knopf Books for Young Readers, 2016

Lovely story and artwork. All the other animals invite Little Fox to go meet the new baby but Little Fox is too busy playing in the snow. The other animals have gifts to bring the baby and Little Fox doesn’t believe he has a gift. But when he decides to go he brings the his joy and the baby smiles!

*****

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The Biggest Smallest Christmas Present

written and illustrated by Harriet Muncaster

G.P. Putnam’s Sons Books for Young Readers, 2016

Tiny story that packs a big punch! Clementine is small, very small. She doesn’t think Santa knows how tiny she is because he brings her gifts that are too big. So she sets about to let him know her actual size. Then one year he brings her the biggest gift of all… a giant dollhouse… just perfect for Clementine!

*****

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Maple & Willow’s Christmas Tree

written and illustrated by Lori Nichols

Nancy Paulsen Books, 2016

Sisters Maple and Willow spend the day choosing just the right Christmas tree. It’s the best tree in the world, but Maple is allergic. The tree ends up outside and both girls are disappointed. Then in the middle of the night, Willow gets a great idea. She gets up and decorates a most unusual ‘tree’ in their living room.

*****

1762447The Christmas Boot

written by Lisa Wheeler and illustrated by Michael Glean Monroe

Mitten Press, 2016

Beautiful book! Artwork and story work together to tell a wonderful tale of Christmas magic. A lonely old woman finds a single boot in the snow. The one boot becomes two and soon she has everything she needs and more, until the owner of the boot returns. He takes his boot but gives her exactly what she needs.

*****

Run out to your bookstore or library and find a few new favorites of your own.

Merry Christmas and Happy Reading!

 

 

 

Franklin IN Conference: Tricks and Treats of the Trade

14 Nov

October brought gorgeous leaf color on a beautiful college campus. The Franklin Writing Conference was a one day intimate gathering for authors and illustrators. About fifty SCBWI participants joined a four panel faculty for a day of learning and camaraderie.

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Pictured from left to right. Jennifer Zivoin, illustrator of multiple picture books and early readers including Big Red and the Little Bitty Wolf (Jeanie Franz Randsom); Andrea Hall, editor at Albert Whitman; Shannon Baunach Anderson, author of several children’s books including Penelope Perfect and Coasting Casey;  Tina Purcell Schwartz, founding agent of The Purcell Agency.

First of all, I was super excited to meet my agent Tina Schwartz in person! Although we have communicated through email, text messages, and Face Time, it was great to have dinner with her and chat informally.

Secondly, I made a connection with Andrea Hall who is reviewing one of my stories for publication. Fingers crossed!

Thirdly, I met up with Facebook connections Kathryn Powers and Teresa Robeson. Both lovely ladies and talented illustrators.

And last, but not least, I spent quality time with one of my critique partners, Emmie Warner. We carpooled, shared a room, and supported each other through our second conference together. Thanks Emmie!

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My Top 10 Tricks and Treats of the Trade:

(in no particular order)

Be prepared to meet agents and editors with your best work. Have it polished and shined to a sparkle. And lead with your strongest work.

Research submission guidelines and follow then to the letter. Do not make the mistake of losing your masterpiece in the rejection box because you failed to follow directions.

Do your own market research before submitting. Know where your work fits on the shelf. What are some similar titles? How does yours stand out?

Take revisions seriously. If your agent or editor asks for revisions, consider what isn’t working and how to improve it. Don’t rush your revisions, it’s not intended to be a quick fix.

Use market guides such as The Book Markets for Children’s Writers, Writer’s Market Guide, and Children’s Writers and Illustrators to find agents and editors who are the best fit for your work.

Don’t take rejections personally. There are many reasons why an agent or editor may pass on your work which may be more due to their own needs and wants rather than your talent.

Your characters need to visually carry your story (picture books). Let your characters distinguish themselves.

Focus on creating visual movement between scenes.

Work with peers to polish your work. Be open to constructive criticism. It’s easier to swallow a ‘no, that doesn’t work’ from your writing partners than it is to get a ‘no, that doesn’t work’ from an agent or editor.

If something isn’t working, keep trying.    Revise.    Resubmit.   Repeat.

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