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How I Got My Agent

5 May

 

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I am so thrilled to finally have this story to tell! It’s the one every writer yearns to tell. It’s the one that’s unique to every writer.

This one is mine.

After three years of writing and submitting to agents, I finally broke through the barrier. You know, the one between being someone who writes and being a writer with an agent.

I did a lot of the usual things aspiring authors do. I joined SCBWI. I continue to go to monthly meetings. I have attended several state and regional conferences and workshops.  I took online classes and webinars. I started three different critique groups specifically for picture book writers, two of which are still active. I joined several online writing groups. I became an administrator in one of those groups, the Debut Picture Book Study Group. I am active on several social media sites.  I purchased and devoured how-to books. And I got to know my local librarians and bookstore owners on a personal basis. I read, read, read picture books.

In short, I did everything I could to learn the craft.

And of course, I did my best to write good stories and submit to agents who were taking on new clients in my genre.

But I also did my best to make connections in the writing community. It was one of these fortunate connections which ultimately led to signing with my agent, Tina Schwartz of The Purcell Agency. I met Tina during a webinar on Writing Queries. We hit it off right away and I began working as her Literary Assistant. Tina was interested in my work. The first story I subbed to her was rejected, but the second pitch was a hit! She called me on Wednesday morning and made a verbal offer of representation. We spoke for a long time and she emailed a standard contract. Luckily for me, my son is an attorney so I emailed the contract to him for a quick look-see and an explanation of some terms of ‘legalese’.

The very next day I was on my way to Chicago for a writing conference. I was so crazy over the moon I could barely stay in my lane! My friend and critique partner (and passenger) was almost as excited as I was. And being the sweetheart that she is, she reread every single workshop and discussion offered as I drove  pondering which alternate sessions to attend in light of my new circumstances. We memorized the names of agents/agencies and editors/publishing houses we wanted to meet that weekend. I’m so happy we had decided to take the shoulder days on the conference. This extra evening gave me the opportunity to better prepare myself without feeling rushed the morning of the conference with new concerns in addition to a 5 hour drive. Then we focused on having fun and learning as much as we could. It was actually a nice reprieve from the constant preoccupation of possible representation. If my brain wasn’t overstimulated before the conference, it certainly was afterwards.

In the meantime, my son had redlined the contract with a few suggestions and I made a list of questions, questions, and more questions I wanted to ask Tina. (Remember those shoulder days? We stayed Sunday evening, had dinner with new friends and didn’t head home until Monday morning.) Monday, I relaxed, reviewed notes, discussed it with my son and husband and I called her on Tuesday morning with my inquires. We spoke for almost an hour, something I appreciate in an agent. She was very patient with me and answered all my questions and concerns. We negotiated the terms of the contract, and Tina re-mailed it on the spot. I printed it out. Signed. Returned a scanned copy. And celebrated!

Now, Wednesday again. One week after the initial phone call, Tina emailed me again. She has sent my manuscript to five publishing houses, houses I would not have been able to get into without an agent.

Unreal! I’m still pinching myself!

 

 

 

 

 

13 Notes on the Magic of 13 SCBWI Conference

30 Sep

2015logoMagicof13It’s been 13 days since The Magic of 13 conference in Cleveland this month. I’ve had time to review my notes and relive the magic. And it was magical! On Friday, I was able to participate in an intensive class with Jodell Sadler of the Sadler Children’s Literary Agency and have a one-on-one manuscript critique with Nikki Garcia, Assistant Editor for Little Brown Books for Young Readers. Then I spent the full day, Saturday, attending workshops with Jodell Sadler again; and Marie Lamba, Associate Literary Agent with the Jennifer De Chiara Literary Agency; Kendra Levin, Senior Editor with Viking’s Children Books, the Penguin Young Readers Group; and Victoria Selvaggio, Associate Agent with the Jennifer De Chiara Literary Agency. What a lineup! I talked with wonderful authors like Mary Kay Carson, Miranda Paul, Shutta Crum, Michelle Houts, and Liz Coley. However, there were other wonderful authors and illustrators I missed, like Denise Fleming, Gloria Adams, and Sophie Cayless… the days were just to full to see everyone! And of course, I met and worked with countless other writers and illustrators who attended the workshops. Oh, how I wish I had a week with these extraordinary people!

With the passing of 13 days since the Magic of 13, I want to share 13 things I learned with you. Hopefully these 13 tricks will help you get where you want to be in your writing and publication.

  1. Tell your story. Begin at the beginning. Go until you get to the end. Then stop.

2. Be on every page with the reader. See what they see, hear what they hear, smell what they smell, feel what they feel.

3. Use vivid words to paint a picture in the reader’s mind. Use fun and interesting language. Make your words work hard, make them pull double duty when engaging a reader.

4. Determine your character’s core values. These will guide his/her actions. Apply the emotional truths of what you know to new situations for your characters. You may never have been lost in a jungle like your character is, but you do know what it feels like to be lost. Use that to guide your character through unfamiliar territory.

5. The road to publication comes from employing plot, poetry, pauses, and personality. 

6. Form allegiances with other writers. Support each other. Champion each other to do your best.

7. Study your craft. Find mentor texts and professionals to guide you along the way.

8. Find inspiration in those who have gone before you.

9. Forge your own processes. Don’t be afraid of doing things differently than what ‘everyone else’ says you should be doing.

10. Have a strong hook. Your story must be easy to pitch. Prepare a one sentence log line, a description that can be used to promote your work. It must evoke feeling.

11.Stay current on today’s market and know where your book fits. Yours should be the same but different. It must fit into a market audience.

12. Be aware of your social media presence. Contribute to the promotion of yourself. Be professional. Be positive in your social interactions at all times.

13. Have fun! If you’re having fun, your reader will have fun!

…and now for the magic…

Abracadbra… Poof!

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