Tag Archives: writing

Spring Training

26 Mar

lucy-psychiatristWas your winter writing as depressing as mine? ACK!

The story accepted by an honest-to-goodness editor in a real publishing house was turned down in the acquisitions meeting.

But I pulled myself together in time for the new year. And what a fun-filled, jam-packed year it’s been so far!

I spent January gathering ideas with Tara Lazar in Storystorm (aka PiBoIdMo). February brought a blizzard of information at the SCBWI Winter Conference in New York. And March has been a whirlwind of reading mentor texts with Carrie Charley Brown in ReFoReMo.

Now, with a fresh arsenal of writing ideas, information, and mentor texts I’m ready to take on a new season.

CharacterSpring Training is upon us and I’m going to be ready for the big game!

 It’s time to get off the bench and stretch those writing muscles. fce54108a076897bcd7844d5c2ad99ab

Write.

Write.

Write.

I’m working on honing my craft, developing those mad writing skills…

until I hit one out of the ballpark!  bfb5b5cf1817b81725091347991476b8

And when I finally get that call…

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all that training and practice and diligence will have paid off! your-a-good-man-charlie-brown-baseball-game-youtube-o3Vo6x-clipart

 

Special thanks to Charles M. Schulz, creator of the Peanuts characters, for his wisdom, creativity, inspiration, and many years of humor.

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16 Feb

photo-26It’s a common enough question. One I’ve asked children countless times… at the end of the day while we waited for dismissal and around the dinner table when the conversation was lagging. I was just asked this question myself at our local SCBWI meeting after my trip to New York for the national winter conference. I answered with a few of the ‘big ideas’ I’d garnered, but here I’d like to share more general observations.

Let me begin by saying this was my first national conference and I was quite awestruck. I had attended several regional conferences before this one, but I quickly learned that a national conference is much more overwhelming than the regional conferences. I did my best to soak in all the combined knowledge and talent surrounding me. I took copious notes, which I highly recommend. You know, you think you’re going to remember every syllable just to walk out the door and be in fan shock over seeing a ‘celebrity’ and completely forget everything you just heard. Not saying that happened to me. (Not saying it didn’t happen, just not saying it did.)

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I recommend you attend as many functions as possible. It’s not only beneficial but also economically sound. After all, we paid a lot of money to attend, why not squeeze every ounce of  the experience out of the opportunities afforded. This particular conference offered more than 30 workshops and 55 faculty members. (Read all the materials carefully before registering. Diligence is key in making your selections.) In addition to the workshops, there are keynote addresses, panel discussions, and various formal and informal gatherings. Take in as many of these as you can.

Have a plan. Know what you want to get out of this experience. Are there specific questions you’d like to have answered? What contacts do you especially want to make? Is there something new you’d like to try? Knowing what you want will help you focus your energy in the right direction. img_1446

Relax (if you can) and enjoy the ambiance. There are superstars all around you!  Make connections. You never know who is sitting next to you until you ask. I had lunch right next to Tomie dePaola and across from Jane Yolen. I listened to, and cried with, the multi-award winning illustrator, Bryan Collier   and got my picture taken with him. I ran into many Facebook friends and made new friends. No, you won’t get to see and talk to everyone (there were over 1000 participants this weekend), but you will get to meet some very interesting people.

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Take advantage of the opportunities to submit your work to agents and/or editors. This is one of the perks of attending a conference. Many of the editors in particular are closed to submissions except for these special circumstances. If you have something ready, do that immediately. The window of opportunity is small, don’t miss out. Be sure to research the recipient’s tastes and wish list before sending it out. Follow their guidelines to the letter. You don’t want to waste your time or theirs.

Enjoy yourself. No matter where you go, take in a local experience. In NYC I didn’t have time to do the  typical ‘tourist’ things, but I did ride the train and eat the cheesecake!

Western Pennsylvania SCBWI Conference, 2016

27 Nov

 

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This cute little reading robot was host to a couple hundred SCBWI members from Pennsylvania, and three from Ohio. Two of my critique partners and I drove almost five hours to be a part of this conference in Pittsburg on the second weekend of November. It was a beautiful weekend, crisp, sunny, and full of hope.

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The faculty for the weekend included Heather Alexander (former agent from Pippin Properties and now freelance editor), Mary Colgan (senior editor at Boyds Mills Press), Brett Duquette (senior editor at Sterling Publishing), Karen Grenick (founding agent at Red Fox Literary), Jasmin Rubero (editor at Dial, Random House), Jennifer Soloway (agent at Andrea Brown Literary Agency), Jennifer Ung (editor at Simon Pulse), and Rebecca Weston (former editor at Delecort Press and now freelance editor).

As always, SCBWI conferences are chock full of information and opportunities to meet new people. With eight faculty members and only four workshop sessions, I had to choose my sessions strategically. This weekend I chose to learn more about queries, leaving room for the illustrations, reasons for rejections, and acquisitions. But the best thing I did, was submit a story for a critique. Not only, did I receive a thorough and thoughtful critique, I also received an encouraging invitation to submit.

And surprise, surprise… I was chosen as one of the six most promising authors in attendance! Each agent and editor who critiqued work chose one person to receive this honor. It is indeed both humbling and exhilarating !

As a critique group we are quite pleased with our efforts. At the end of the day, we each had something to celebrate!

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Persistence with Miranda Paul

13 Aug

 

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I met children’s author Miranda Paul at the Northern Ohio SCBWI conference last year when she sprang unannounced into my hotel room with her famously infectious laugh and we became fast friends.  We already knew each other through Facebook and we had promised to meet up and get to know each other better at the conference. You can learn more about Miranda too at her website, MirandaPaul.com.

Miranda is the author of several picture books available on Kindle, but she didn’t become well-known until her first traditionally published picture book, One Plastic Bag (2015) made international news. Since then, Miranda has published four other picture books and has another two scheduled for publication next year.

Coming Soon:

Blobfish Throws a Party – illus. Maggie Caton
Are We Pears Yet? – illus. Carin Berger

And now on the cusp of the publication of her newest picture book, 10 Little Ninjas, I have the pleasure of interviewing Miranda about writing and persistence. Miranda answered all my questions thoughtfully and completely. I’m excited to share her insights with you too!

ME: As a former educator, I’m always interested in author’s previous professional lives. What can you tell us about yourself before you became a world famous author? How did this help your writing career? What non-writing experience was the most influential in your writing success?

MIRANDA: To answer your first question, I’ll tell you what I tell kids in many school visits—and in the back matter of my book Whose Hands Are These?—that I’ve had many different jobs, and that’s OK. I’ve been a teacher, a store cashier, a volunteer zookeeper, and more. I think every experience helps my writing career, because there’s no replacement for tapping into a personal memory. Exposure to something new or learning a skill outside the writing subset expands your bubble.
To answer the last question, it’s hard to say what non-writing experience has been the most influential. Participating in drama and theatre taught me how to take criticism and direction. I learned the importance of working collaboratively with others toward a final, polished production. I often hear from writers how much they fear “not having control” of their book (or illustrations) when traditionally publishing. I’ve never met Nate Wragg, illustrator for 10 Little Ninjas, and it’s Karen Greenberg’s first acquisition for Knopf Books for Young Readers. Yet through trusting them (and so many others at Penguin Random House), the book has become an Amazon Best Book of the Month for August and was reviewed in School Library Journal and Publisher’s Weekly. Learning to trust and honor the expertise of other creatives was something I didn’t have to overcome. I have professionals such as April Deming and Michael Tolaydo to thank, because they taught me these lessons and more.

ME: Have you found a difference in being accepted inside or outside of your own community? (Do people see you differently based on how long or in what capacity they knew you before you became a writer?)

MIRANDA: I’m not really sure how to answer this. People are always longing for acceptance in some capacity, especially young people. But gaining acceptance from peers or the community isn’t why I write. I’ve always loved writing, and have always done it. In fact, being a kid who liked to write poems or stories until 2 a.m. often made me feel quite different, the opposite of someone who’s accepted, you know?

ME: What specific obstacles did you face while working on becoming a published author?

MIRANDA: Oh, there are many. And I know other authors who have overcome much greater odds. There’s balancing family life (not unlike dad and the sensei in 10 Little Ninjas!), and there’s rejections of course. My newest book, 10 Little Ninjas, was rejected multiple times—even by my own agent at first—and once turned down after being rewritten three times for the same house. But there’s one obstacle bigger than rejections—the obstacle of yourself. We doubt our abilities, we keep our work to ourselves in fear that it’s not good enough. Once I learned to take myself seriously, I found momentum. Momentum is huge.

ME: How do you manage your professional time, especially in terms of speaking engagements?

MIRANDA: I have really large calendars, and a couple of people who help me keep things straight. Recently, I’ve had to turn down a few requests, which breaks my heart, because if there’s a teacher or group of kids or festival that invites me, the person inside is saying “YES! YES! YES!” But the calendar is saying, “Think again, Sister.” So, I let the calendar rule my life to keep some sense of order.

ME: Have you ever had an idea that just didn’t gel? What do you do with these gems?

MIRANDA: All the time. One of my first picture book manuscripts, for example, which I tried pitching at a conference once, was an inanimate-talking-object story with a holiday and religious twist. With a moral! Sometimes, stories need to be tucked away, or saved for family. Other times, an idea isn’t quite ready to be developed. I keep an idea notebook where I write them all down. I will never, ever run out of things to write about. The best ideas find me, and keep nagging until I can’t not write them. Like my new one about inanimate talking objects written in all dialogue, coming out in 2017 called Are We Pears Yet? (Ha! Never say never when it comes to breaking the writing rules!). It’s illustrated by Carin Berger and published by Neal Porter Books.

ME: What would you say is the major hurdle to traditional publication?

MIRANDA: For me, it was first realizing this career was even a possibility, and then deciding to go for it. I’d written my whole life, but never knew much about getting a book published or really made it a goal. Another hurdle was then getting my work out there, on submission, because I never considered it “ready.” I’m a natural editor; I tinker with manuscripts for years and still might not consider it done. The work could always be better, I think. I can’t say what the major hurdle is for other people. I often hear from people who have an idea but haven’t actually started writing, let alone revising. Finishing something is a lot of work, especially when the perception is that writing for kids is easy or fun or a hobby. I’m grateful for my B.A. in English every single day, but even more grateful for not allowing myself to get too distracted by building a platform, marketing, etc. before I’d even built a large body of work.

ME: What other writing experiences have you undertaken?

MIRANDA: I’ve written a YA novel, a screenplay, hundreds of poems, and have freelanced for newspapers, magazines, and even app/game companies. I’ve taught writing, and continue to teach workshops when I can. There’s very little I haven’t done, and I think that helps me improve and grow as a writer.

ME: What plans do you have for your future self?

MIRANDA: Keep on keeping on, mostly. I am collaborating with my husband, Baptiste Paul, on a few manuscripts that we’re very excited about.

ME: What advice would you give aspiring authors?

MIRANDA: In the words of Roxette, “Listen to your heart.”

I love the quote! Thanks for interview Miranda. Let’s wrap this up with one last bonus question.

ME: What one worthwhile question have you NEVER been asked? (And what’s the answer to that question?)

MIRANDA: I don’t often get asked about my favorite desserts. They are (in order): tiramisu, chocolate-covered strawberries, and Special K bars.

And for those of you who want to follow Miranda on social media, you can find her on FacebookTwitter, and Goodreads.  

 

 

 

Classic Remake

3 Jul

 

Many folks remake classic stories, fairy tales, and songs. Last year I wrote a little story to go along with the classic Who Took the Cookies from the Cookie Jar song and hand play kids love. I took it to a new critique group last month to get a new perspective on it. Lo and behold, one of my critique partners had just read something similar to her preschooler that week! At first I was bummed, it’s been done. But then I got a copy of the book she read, Who Took the Cookies from the Cookie Jar? written by Bonnie Lass and Philemon Sturges and illustrated by Ashley Wolff.

614330The story is clever and the artwork adorable! Skunk finds the cookie jar empty and begins the search for who took the cookies. With only a trail of cookies crumbs to follow, Skunk begins the search. On each page Skunk finds a clue leading her to believe she knows the culprit with the refrain kids will join in saying, “Mmm…Oh! Now I know…”. But each guess is incorrect and the accused has a catchy little rhyme explaining why it isn’t them. Eventually the trail of cookie crumbs leads to the guilty party. Luckily there’s plenty of cookies left and everybody shares in the cookie feast!

I’m so glad I didn’t give up without reading the book. First of all, I love finding new and wonderful children’s literature to share with my family and friends. Secondly, I can see that this has genuine kid appeal. Thirdly, although both my story and this one are based on the same premise, I believe mine is different enough to be unique in the market. (fingers crossed) And, bonus… this version was published in the year 2000, so I figure it’s been long enough between stories to hit a new generation or two of young readers. (toes crossed) Now I just have to convince my agent and future editor!

 

 

 

 

 

One Month Check-Up

5 Jun

Wow! I can’t believe it’s been a month since I wrote my last blog post. Having an agent has not simplified my life like I thought it might. I no longer stalk the internet in search of agents looking for stories I might have written. But I do have lots of contact with my wonderful agent. She has sent my story to nine publishing houses and keeps me updated on the feedback as she receives it. Yes, I said feedback. One thing I’ve learned about subbing with an agent, is that the editors actually give feedback when they reject your work. So far I’ve gotten four declines from the nine submissions, that’s 44% rejections. In more positive terms that’s 56% chance of still having my first story published, so that’s something to bounce about!

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And, what have I been doing besides collecting rejection letters? Reading… a lot! Writing… some. Revising…a tad. Other things keeping me busy…meeting with critique partners, keeping up with my Facebook contacts, studying picture books, interviewing authors, reviewing books for friends, reading articles, chasing my muse and living life!

What I haven’t been doing… blogging (obviously), sitting around waiting, or wondering what to do next. My to do list is growing longer than a summer day. I have so many unfinished revisions to work on, so many undrafted ideas, and so many partial WIPs I think I’m going to need a few more rotations of the earth to catch up.

Until next time, happy writing, friends!

 

How I Got My Agent

5 May

 

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I am so thrilled to finally have this story to tell! It’s the one every writer yearns to tell. It’s the one that’s unique to every writer.

This one is mine.

After three years of writing and submitting to agents, I finally broke through the barrier. You know, the one between being someone who writes and being a writer with an agent.

I did a lot of the usual things aspiring authors do. I joined SCBWI. I continue to go to monthly meetings. I have attended several state and regional conferences and workshops.  I took online classes and webinars. I started three different critique groups specifically for picture book writers, two of which are still active. I joined several online writing groups. I became an administrator in one of those groups, the Debut Picture Book Study Group. I am active on several social media sites.  I purchased and devoured how-to books. And I got to know my local librarians and bookstore owners on a personal basis. I read, read, read picture books.

In short, I did everything I could to learn the craft.

And of course, I did my best to write good stories and submit to agents who were taking on new clients in my genre.

But I also did my best to make connections in the writing community. It was one of these fortunate connections which ultimately led to signing with my agent, Tina Schwartz of The Purcell Agency. I met Tina during a webinar on Writing Queries. We hit it off right away and I began working as her Literary Assistant. Tina was interested in my work. The first story I subbed to her was rejected, but the second pitch was a hit! She called me on Wednesday morning and made a verbal offer of representation. We spoke for a long time and she emailed a standard contract. Luckily for me, my son is an attorney so I emailed the contract to him for a quick look-see and an explanation of some terms of ‘legalese’.

The very next day I was on my way to Chicago for a writing conference. I was so crazy over the moon I could barely stay in my lane! My friend and critique partner (and passenger) was almost as excited as I was. And being the sweetheart that she is, she reread every single workshop and discussion offered as I drove  pondering which alternate sessions to attend in light of my new circumstances. We memorized the names of agents/agencies and editors/publishing houses we wanted to meet that weekend. I’m so happy we had decided to take the shoulder days on the conference. This extra evening gave me the opportunity to better prepare myself without feeling rushed the morning of the conference with new concerns in addition to a 5 hour drive. Then we focused on having fun and learning as much as we could. It was actually a nice reprieve from the constant preoccupation of possible representation. If my brain wasn’t overstimulated before the conference, it certainly was afterwards.

In the meantime, my son had redlined the contract with a few suggestions and I made a list of questions, questions, and more questions I wanted to ask Tina. (Remember those shoulder days? We stayed Sunday evening, had dinner with new friends and didn’t head home until Monday morning.) Monday, I relaxed, reviewed notes, discussed it with my son and husband and I called her on Tuesday morning with my inquires. We spoke for almost an hour, something I appreciate in an agent. She was very patient with me and answered all my questions and concerns. We negotiated the terms of the contract, and Tina re-mailed it on the spot. I printed it out. Signed. Returned a scanned copy. And celebrated!

Now, Wednesday again. One week after the initial phone call, Tina emailed me again. She has sent my manuscript to five publishing houses, houses I would not have been able to get into without an agent.

Unreal! I’m still pinching myself!

 

 

 

 

 

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